Album & Live Reviews

Saturday night, Bathgate and there is a crisp bite to the air.. winter is coming. Thank god we have the warmth that comes with a close quarters gig in Purple Orange, a cracking wee venue nestled away along a Bathgate side street but certainly one to experience! £5 entry and three sensational Scottish bands on the menu, what's not to love! First up are Glaswegian psychedelic doom rockers AYE-AYE.. named after a Madagascan lemur and having not played a gig since September 2024, they graced the stage with an ease that only seasoned bands could manage. The 3 piece commenced their set with heavy grooving track 'Men Are Ugly', continuing to deliver some new songs and some old belters to the eager listeners. With one patron claiming 'Its like Morrissey has finally had enough and embraced the metal'. Definitely a band to try and catch if those psychedelic Jams are your bag! Thoroughly enjoyed. Next on the bill were a well known band on the scene and hailing from Edinburgh, Holyrude Vault. Formed in 2021 and bringing us some of that sleazy hard rocking attitude, the 5 piece did not disappoint! Although what initially appeared to be the lads squeezing onto the stage, they moved with ease through the set giving us powerful tight vocals, technical instrumentals leaving the crowd headbanging and clapping along, really lifting the atmosphere and getting us hyped for the main event. If you like your rock to be attitude filled and no bullshit, this is the band for you and I urge you to go see them. Currently in the studio recording their new 7 track EP, I will definitely be heading out to catch them again soon! And now to our final band of the evening, 13Scream. Tonight's gig is their single launch for 'Stuck In The Inbetween', plucked from their eagerly anticipated album 'Hunt Down and Kill... 13Scream'. The band is the brain child of James McCulloch, formally of She Burns Red and joining him on this momentous new journey is drummer, and all round cool cat Adam 'bam bam' McNaughton. The lads have worked together on several projects before and have now come together to create their own account of British rock with that visceral, aggressive sound that speaks directly to them. The set begins with a flurry of energy that only comes from an antsy wait and an eagerness to get on stage, the second track of the night is of course the new single, and despite an earlier hiccup with big James taking a spill, he moves with the charisma only a giant with years of experience could pull off to finish the track, with drummer Adam claiming later into the set 'he didn't even notice'. The rest of the set is a joy to behold and includes the band's first single 'Fight'. Each track conveys a strong message about mental health and you can hear that being pushed through James's powerful vocals. The energy exuded from Bam Bam throughout the whole set carries the mood ever higher until we're brought back to earth by the final song, 'open your eyes', which gives the audience a little time to reflect on what they've just witnessed. This band is one to watch, definitely not to be dismissed and given the opportunity, you need to get down and see them. The debut album is currently live on Kickstarter for those who want to pledge, keep the independent music scene going and if this performance is anything to go by I assure you, you will not be disappointed. Overall, a fantastic night of great music, great bands and all for just a fiver. Support your local venues, support your local bands and we'll be able to continue to enjoy these experiences for years to come.

Glasgow based Eld Varg - Swedish for “Fire Wolf” present their sophomore release Destroyer. The album opens with the Metallica like intro Achaman, all norse mythology imagery and metal galloping. Then straight into the album title track, and single Destroyer underpinned by dynamic drumming and muscular riffing. A decent shout for a single, and fairly effective. The band meanwhile having originally started as a solo project by guitarist and vocalist Ollie Noakes, subsequently morphing into quite a full sounding three piece. Bass riffing meanwhile opens The Hell Of Mirrors, the Bass sitting right in the pocket throughout to strong dynamic effect. The Bands overall sound meanwhile suggesting a more classic, traditional approach with some modern quirks, though more Maiden/Dio than say Sleep Token. Can even hear a bit of Exodus - like Toxic Waltz riffing in Black Starlight, even at some moments elements of Wasp instrumentally throughout the sound. Production is good throughout, with well balanced instruments complimenting each other. Lyrically its dungeons and dragons stuff not unlike Zeppelin/Dio’s themes, fitting well within classic Metal tropes. Album closer Crestfallen opens with acoustic guitar, before a more percussive, muscular rhythm takes shape., before an acoustic Orion like interlude kicks in. And it’s with that, a fairly fat free album ends. Well paced, never outstaying it’s welcome and straight to the point.

Following on from 2023 album New Sensation Antipodean rocker Cassidy Paris returns with her 2nd full length Album Bittersweet released today. The new album takes on a more raw edge than the previous 80's inspired effort. There is no doubt that Cassidy has grown from that young girl into a young woman who has gone through an emotional roller coaster in the years since the first record and has put that down into song on this record. The opening songs are two driving rock songs with more than a hint of Pat Benetar in her heyday Nothing Left To Lose is much harder and heavier than what we have heard previously. “Finish What We Started” is another full on rocker that in her own words deals with the situation that “falling is not the end, giving up is” The emotion in the record is evident. “Give Me Your Love” could be straight from Joan Jet with that stripped down riff and swing and anthemic vocals. Can't Let Go slows the pace down and is more aligned with the previous 80's sound a mid tempo ballad that lets Paris's vocals shine. “Undecided” is another driving rocker that leads us into probably the highlight of the album for me. “Sucker For Your Love”, full of hooks and catchy vocals, One of those songs that will leave an ear worm in your brain and hours later you will find yourself singing the chorus inside your head. “Anybody Out There” takes on a journey from a heavy start to slower ballad, Paris lists here influences as Benetar, Jett and Lzzy Hale and this song has all the hallmarks of Hale, soulful vocals fill the song definitely one of the highlights of the 13 songs on show. The album closes with the catchy “Turn Around And Kiss Me” and the lead single “Stronger” that epitomizes the album a much harder stronger record written from true life experiences and hurt. We look forward to hearing them live when she returns to these shores in May 2026 for a series of dates around the UK.

Fast music, that’s a punk thing, right? Unremitting speed, song after song, not a chance to draw breath – you need to get into training to go to the gigs. It's bands like the Ramones and Buzzcocks that spring to mind. The next generation, like Green Day and the Hives kept the vibe going but who’s next? Well, on Thursday night in Glasgow we got the answer to that question – Bad Nerves. Glasgow Art School was a new venue for me. The room was a big square and held a capacity of 300; and a great room it was too. I reckon it was just about full to bursting on Thursday night. Just on 9 o’clock the light went off and Bad Nerves appeared. Lots of smoke, little light and singer Bobby Nerves wearing his dark glasses. Bobby is the driving force in the band and responsible for writing the words and music for all their material. What followed was a battering; 19 songs rammed into 60 minutes of pure joy and happy noise. This band are only two albums into their career, and we got both of them, at pace. ‘Television’ opened the night before two of my faves made an early appearance, ‘Don’t Stop’ and ‘Baby Drummer’. This was a night full of younger fans; the pit was moving constantly, and the floor was bouncing up and down. It was just like the punk gigs of old. A circle appeared, a very big circle, and just as the chorus of, what I think was ‘Jimmy the Punk’, started, crash the circle pit took off. It was mightly. ‘You Should Know By Now’, ‘Antidote’ and ‘The Kids Will Have Their Say’ took us to the end of the main set. Now, this was my first gig back after a couple of months off. I have got myself two new hips. Whilst the head (and much of my body) said “seat” my heart said “pit”. It was only the wise and restraining hand of my mate Andy that kept me in one piece at the back – just before he darted off to join the throng for the encore numbers. ‘You’ve Got the Nerve’, ‘Can’t Be Mine’ and the fantastic ‘Dreaming’ took us home. As the lights went up, I saw a sea of happy and very sweaty faces. What was great to see was very few old guys like me; this was a room full of young fans who were really up for it. If punk music, or fast music, is to have a future, then the community needs to invest in bands like Bad Nerves. Fans need to buy their music, and promotors need to get them on festival bills. All too often punk promotors look into their rear view mirrors for inspiration. That’s important, of course the fans want to see the bands of their youth, but for their festivals to survive and for the scene to flourish, they need to look down the road a bit too. Band like Bad Nerves are the future and they need to be folded into plans. There is no doubt this band have big plans of their own. They are already playing to bigger venues in the States and are about to head to Australia and Japan before Santa comes. Bad Nerves are planning big things, if you like it fast, make sure you give them a listen soon and get to see them anytime they are in a place near you!

With a name like Rockmantic, you might expect a February festival for Valentine’s Day rock-heads, but this year’s Grimsby edition — held Friday 14th and Saturday 15th November — proved that rock romance thrives perfectly well on a dark, rainy weekend in November. Across two nights, the event offered a love-struck lineup and an atmosphere that left every attendee feeling thoroughly warmed, welcomed, and plugged into something bigger than themselves. Originally launched in 2013 in Carlisle, Rockmantic has expanded over the years, and 2025 marks its third outing in Grimsby. The decision to branch out has paid off: the Yardbirds Rock Club version has quickly earned a reputation for being tightly curated, high-quality, and fiercely loyal to showcasing the best modern rock acts around. A Venue Built for Rock Yardbirds is a compact, two-tiered indoor venue so the layout and atmosphere lend themselves to exactly this kind of event. Established in 2007 and later renovated during lockdown, the club combines intimacy with excellent visibility — everyone can see the stage wherever they stand because of the elevated stage. Flames painted along the walls amplify the warmth of the room. Yardbirds is well respected for its loud, punchy mix, and since the refurbishment it boasts a state-of-the-art lighting system and a powerful new PA that delivers superb sound quality. The rig comfortably handles complex live setups with strong monitoring and a clear, professional front-of-house sound that makes every band feel bigger. Merch tables lined the mixing desk and left side, giving the bands much-needed income and offering fans a chance to support their favourites directly. Friday 14 November 2025 — Night One Ace of Kings Scunthorpe’s Ace of Kings kicked off the weekend at the early hour of 6:10pm — a notoriously difficult early slot — but they rose to the challenge with confidence and charm, despite the initial lack of attendees at an early hour. This five-piece (Jonny Bilton on vocals, Oliver James and Josh Grinnell on guitar, Ben Hughes on bass, and Adam Lazenby on drums) opened with their most streamed song, ‘Watch It Burn’, immediately proving they weren’t fazed by the thinner early crowd. Their hard-rock energy was infectious. Jonny’s confident, friendly banter engaged the crowd, especially as he proudly mentioned the band’s placement in Heat 2 of the Stonedead Festival poll. They definitely deserve your vote and I hope to see them there next year. Clever lyricism, memorable melodies, and tight musicianship made them a surprisingly strong opener. Speaking to them afterwards, their warmth offstage matched their energy onstage. ‘Rebels and Renegades’ was a standout. Filling in as a last-minute replacement for Murder in the Airwaves, they didn’t just fill a gap — they set the tone for the whole weekend. Verdict: A fantastic start. Absolutely worth seeing again. The Soul Revival The Soul Revival brought a heavier, groove-soaked rock sound that shifted the night’s energy into deeper, more emotional territory. Formed in 2023, the band — Steve Nunn (vocals), Andy Dove (guitar), Karl Selickis (drums), and Matt Higgins (bass) — have already built a growing fanbase, and it’s clear why. Steve’s classic-rock vocals were both powerful and emotive, and his crowd work was just as entertaining, delivered with a distinctively Brummie charm that gave him a likeable stage presence. Their sound blends classic influences with a modern edge: crisp, dynamic, and authentically performed. A particularly moving moment came with ‘Heart So Hollow’, introduced as a song about a friend the band lost “far too soon.” Photos of fans’ own lost loved ones were included in their music video — a touching communal gesture that quieted the room for a moment of reflection. Maintaining momentum until the end, their set commanded attention. To close their set, they treated the audience to their upcoming single ‘Rock Star’, an upbeat track set for a late-November release. Andy Dove’s guitar solos were a highlight — technically impressive and captivating from start to finish. Verdict: A tight, authentic, emotionally charged performance that kept the momentum climbing. Takeaway Thieves The sleaze-rock swagger arrived with Takeaway Thieves, a Blackpool outfit delivering old-school rock with a glam twist. Frontman Peter McLoughlin strutted onstage with a Mick Jagger confident swagger, flanked by Ben Gibson (lead guitar), Neil Hunter (rhythm guitar), Max Yates (drums), and last-minute stand-in bassist Josh Carvell (filling in for the ill Adam “The Rev” Hall). Their riff-driven, glam-tinged hard rock ignited the audience, pulling people closer to the stage. Songs like ‘Kicking My Heart Around’ and ‘Gypsy’ shook the dance floor — literally — with stomps that vibrated. They dedicated ‘Crazy Horse’ to Ozzy Osbourne, complete with an Ozzy-style wail from Peter, winning the crowd instantly. Their set was theatrical, confident, and perfectly suited to Yardbirds’ punchy sonic landscape. Verdict: Big swagger, tight delivery, irresistible energy. Star Circus Star Circus brought a melodic, classic-rock flavour to the night, drawing influence from Queen, Thin Lizzy, and Def Leppard while maintaining a modern sensibility. The lineup — Dave Winkler (vocals/guitar), Sophie Aurelia Young (bass/vocals), Santiago Periotti (guitar/vocals), and Reuben O'Donoghue (drums/vocals) — are seasoned performers with a polished sound. That said, the set started somewhat shakily. Their first few songs suffered from some vocal tuning issues and mismatched harmonies. However, by the time they reached ‘Chained to You’ — the first single from their second album ‘From the Wreckage’ (released in June) — the band had found their footing. Harmonies tightened, confidence rose, and the energy in the room lifted accordingly. Verdict: A rocky start, but promising by the end. This House We Built Closing the Friday night was Scarborough’s own This House We Built, who made a masterful musical mansion of sound with Scott Wardell doing vocals and guitar, Andy Jackson on guitar, Chris Mayes on drums, and Wayne Dowkes-White on bass. From their first song, the floor filled. Their layered sound — strong vocals, crisp guitar lines, rhythmic confidence — created a big-room feel in a small venue. ‘Old Haunts’, from their debut album, earned roaring applause, and Scott’s frontmanship carried the set with assurance. They brought it home by ending with ‘Coming Home to You’ enabling the crowd to sing along with the catchy chorus. Formed shortly before the world shut down in 2020, they’ve built a wall of sound, blending classic rock, hard rock, nu-metal and funk — all tied together with a modern melodic edge. Verdict: A strong, cohesive, melodic headliner that ended Friday on a high. Saturday, 15 November 2025 Paradise Sins Kicking off the Saturday leg was Paradise Sins — melodic hard rock with a gothic edge and they started the second day all singing and dancing, literally. Frontman Luis Riley Morrison, flanked by guitarists Dan James and Conor Frampton, bassist Dav Fortei, and drummer Zack Morris, delivered a confident, high-tempo set that immediately set the tone for a packed night ahead. Adding a unique twist, they were joined on stage by two of The Lost Girls, a dance troupe from Nottingham, Sandy Alice and Miss Militia, whose attitude and nightclub-cabaret flair hyped the crowd so that the opening performance was a visual as well as musical spectacle. Their presence elevated the atmosphere and created a full-production vibe. Formed in 2022 and newly signed to Tower Rock Management, Paradise Sins already feel stage-seasoned and are a band to watch out for. Their sound blends melodic hooks with a shadowy tone and they quickly had the crowd clapping and dancing along. Luis asked, “Can you help us make some magic?” and they created an enchanting opening, ending with ‘Voodoo Love’, which had the crowd bewitched and chanting with them. It's no sin to love this band because they sound like paradise! Verdict: A high-impact, charismatic opener with great showmanship and an already well-defined identity — definitely one to watch. Dead Zebras Next on stage were Dead Zebras, a fast-rising London rock act formed in 2023, blending 80s hair-metal attitude with modern rock hooks. With George on vocals, Ky on guitar, Jamie on bass, and Lukas on drums, they arrived with big energy and quickly lifted audience participation another level. Their set was packed with catchy choruses and crowd-friendly moments, including a rock cover of Robbie Williams’ ‘Let Me Entertain You’, which did exactly that, as voices and hands across the room joined in. Original track ‘Picture’ proved especially memorable, and ‘What I Need’ pushed the momentum even higher, its hook landing with the growing crowd. Frontman George, complete with tasselled jacket and natural showmanship, led a playful call-and-response chant of “Nah, nah, nah-nah”, turning the room into a united sing-back. Verdict: Confident, catchy, and crowd-ready — Dead Zebras are building momentum fast. Liberty Slaves Mid-evening the energy really rolled with Yorkshire's own Liberty Slaves, who delivered solid, tight hard rock and moved the event to heavier territory. Formed in 2008 and hailing from Huddersfield, the band features Ryan Meehan on vocals, Craig Hopkins on bass, Shanx on lead guitar, Wozza on rhythm guitar, and Andy on drums, who arrived well-rehearsed and ready to push the energy up a notch. Ryan’s gravelly vocals brought a raw edge that matched the band’s heavier rock direction, giving their performance texture and bite. Their set included attitude-driven favourite ‘Ain’t That a Bitch’ and new track ‘Queen Unseen’, which proved immediately catchy and well-received. They also showcased ‘In The Struggle’, reflecting on the challenges of band life — and although “the struggle is real,” they made every second look fun, effortless, and fuel-charged. Verdict: A solid, gritty, and assured hard-rock performance that raised the weight and intensity of the night. Victory or Die Up next from Scotland came Victory or Die, a high-energy rock/metal outfit with big riffs and strong stage presence. Formed in 2022, the band features Jason Sweeney on vocal and guitar, Andy “Paws” Christie on lead guitar, Brain Stewart on bass and Carlos Marin on drums. They opened with ‘The Rock Revolution’ and immediately ramped up the revelry and intensity, with raucous sing-alongs, and an unmistakable sense that the audience was gearing up. The mix held strong with drums and guitars cutting through clearly as the venue filled up. The set was packed with showmanship: Andy tore into epic guitar solos, sometimes playing behind his head, while Carlos impressed with expert drumstick twirling. Jason led the audience in a confident call-and-response chant — “When I say victory, you say die, die, die!” — which had the crowd fully engaged. The set ended theatrically with ‘Death Trap’ and a huge gong behind the drummer, leaving a lasting impression of Scottish flair and rock-and-roll bravado. Verdict: Loud, theatrical, and expertly delivered — Victory or Die brought big riffs, high energy, and full crowd engagement to the stage. Moskito Hailing from the East Midlands, Moskito took the stage next, marking their two-year anniversary with a confident, high-energy set. Fronted by Jake Rudd on vocals, with Will Rudd on bass, Joe Desmond and Sam Beck on guitars, and Drew Moore on drums, the band delivered a darker, contemporary indie-punk sound, packed with heavy riffs and edgy melodies. By this point, the venue was full but never felt cramped, the crowd hyped and on their feet, singing along and jumping to the infectious energy. Jake’s vocals, when not screaming, carried a confident indie edge, while the band’s natural camaraderie and stage interaction made their performance feel effortless. Drew’s drum solo drew particular attention, adding a thrilling highlight to the set, while the guitars and rhythm section combined for a punchy, electric performance. Verdict: Modern, energetic, and expertly executed — Moskito’s confident stage presence had the crowd fully engaged and dancing. Bullets and Octane As the penultimate act, Bullets and Octane brought a dose of hard rock pedigree from across the Atlantic. Originally from St. Louis, Missouri, and later based in Southern California, the band has been touring internationally since 1998, sharing stages with acts such as Avenged Sevenfold, Stone Sour, and Flogging Molly. Fronted by a tight, seasoned unit, they delivered a punchy set with energy and showmanship. The crowd responded enthusiastically, singing along and feeding off the band’s high-octane performance. With a mix of polished hard rock and relentless live energy, Bullets and Octane warmed the stage for the weekend’s headliner, leaving the audience ready for the final act. Verdict: Internationally seasoned, energetic, and crowd-focused — a powerful set that set the tone for the finale. C J Wildheart Closing out the weekend, C J Wildheart delivered a finale packed with power and stagecraft. Drawing on his work with The Wildhearts, the set featured tight guitar work, commanding vocals, and moments of full audience participation. By the final chord, the roar from the crowd made it clear: this was a rock weekender to remember! Verdict: Familiar, energetic, and expertly performed — a high-octane conclusion to a weekend of excellent live rock.

Nestling in the beautiful Tweed Valley, Galashiels is one of those typically-faded provincial small towns, but it’s having a moment just now, not least with the brilliant bio-pic ‘I Swear’, which is based on esteemed local resident and Tourette’s campaigner, John Davidson MBE. One of the other jewels in the crown in Gala is MacArts – a former church which has been converted into a splendid performance arts space and concert hall and has been attracting some great musical talent to the town. Tonight, two very fine feel-good rock & roll bands from Montreal, Canada and Nashville, Tennessee respectively have brought their own good times and sunshine to the Borders and, in turn, that drew in discerning music fans from Edinburgh, Cumbria and other parts for what turned out to one of the best music nights of the year. First up were Southern rockers Parker Barrow; named after Bonnie Parker and Clyde Barrow, the infamous outlaws and mass-murderers Bonnie & Clyde. Like them, Parker Barrow have also been rampaging across state lines (and international borders) causing mayhem everywhere they go, but in their case, they are spraying good vibes, good music and good times around rather than bullets, and I think they’ve got much better things ahead of them than a couple of bullet-ridden corpses. There are six good folks in this band, with twin-guitars, Allmans Brothers t-shirts, keyboards, long hair and a fully-opened can of whoop-ass. They also feature our first husband-and-wife duo of the evening. Dylan Turner is the big, hairy drummer and out front is his wife Megan Kane, who dazzles with her tambourine, great teeth and cheekbones, a sunny disposition, typically-Southern “y’all” chat and bonhomie, and above all, a cracking voice that covers a whole range of blues, soul and hard-rocking emotions. Their intro tape was a song by Robert Johnson, a contemporary of Bonnie & Clyde with a similar life-span, before the band smashed into life with a couple of very good songs from their latest EP in ‘Make It’ and the especially fine ‘Glass Eyes Cryin’’. They’ve also got a full-length album ‘Jukebox Gypsies’ and some songs from that included ‘Good Times Gone Away’ and ‘Throwin’ Stones’, delivered with an extended jam with Megan saddling up as a third guitarist, and there was a glorious retro-rocking feel throughout but with contemporary chops and original tunes. ‘The Healer’ and ‘Novocaine’ were other highlights from the new ‘Hold the Mash’ EP and they definitely impressed a lot of folks with their show, as they have been doing all over the country by all accounts. After a couple of UK visits this year, the band will definitely be back next year. They share a lot of the good traits of the headliners, who are maybe a year or two ahead of them in terms of UK visits and recorded output, but both bands should be on a star-spangled dual-carriageway to even greater success if there’s any justice left in the world. The Damn Truth have arrived in a really good place – and I don’t mean Galashiels. After four albums, and touring their asses off all over Europe and the UK, they’ve paid their dues and built up a devoted following that probably includes just about everyone who’s ever had the privilege to see them play – I can’t imagine anyone not wanting to go and see them again after leaving a DT show with a guaranteed smile on their face. They released their latest and best album this year; a self-titled effort that seems to signify that their prime-time is now, and they shared most of its prime-cuts, starting with the absolutely fantastic ‘Be Somebody’ – a joyous romp of a song about striving to be loved that rides a wave of glorious harmonies and fills your very soul - definitely one of the best songs I’ve heard this year. Again, theirs is a wonderful retro-rocking sound and the four band members rock up a storm in front of an audience that was with them from the start. ‘The Willow’ is the one with the Led Zeppelin feel, ‘This is Who we Are Now’ sets out their mission statement and they let their free spirits flow on the fuel-injected riffage of ‘All Night Long’ before the emotional heft of ‘If I Don’t Make it Home’ makes you stop and think, but you somehow feel that “the road” actually might just be their home. The core of the band is a married couple and they share the spotlight. Lee-La Baum does the lead vocals and she is smart, funny and loveable, with great charisma and a very fine voice indeed. Lee-La told the story about how she and husband / guitarist Tom Shemer first met - naked in a field jamming on acoustic guitars. Now wouldn’t that make a great reality TV first-date show? I might even have a go at that myself if the guitar was big enough, but to be honest, a ukelele would probably suffice! Tom leaves most of the talking to Lee-La, but he did share a few words about the music we love, emphatically reinforcing that rock & roll is definitely not dead. That’s just as well, as I can’t think of any other job that this dude could possibly so. Dressed from head to toe in red, from strategically unbuttoned skinny red shirt to even-skinnier red trousers and red boots and nail varnish, and with the most rock & roll of barnets, the self-styled “Red Bastard” is every inch the cool rock star and some guitar player too. In fact, the whole band look the part. Lee-La and Tom travel with their young son but I think they are also going to have to adopt psychedelic gypsy bass-player PY and drummer Dave, who are integral to the look and sound of the band. They might be French-Canadien but their music is rootsy rock and soul without borders and it translated just perfectly in this corner of Scotland. From a spot at the front of this converted church, I am here to testify that this was one of the finest rock & roll shows of this year, or any other year, and that’s the damn truth. There were certainly no non-believers left in Galashiels by the end of the night.

The year 1980 is best remembered for some major world events, Former actor Ronald Reagan was elected US president, we lost John Lennon to an assassins bullet, the Solidarity movement in Poland began the fall of the iron curtain and we met Pac Man for the first time. In the musical world the NWOBHM was exploding across planet and albums that became synonymous with the genre hit the shelves of record stores. Iron Maidens self titled debut album, Judas Priest British Steel and Saxon's Wheels Of Steel. Saxons second album delivered what were to become some of the tracks of a generation of leather clad youths, 747 Strangers in the Night, Motorcycle Man and the title track itself which would become an anthem that has spanned decades. The was of course the Hell Fire and Damnation tour to support the latest release but to celebrate 45 years since the WOS release the band decided to play the album in its entirety. Possibly the last time this would happen. As if that was not enough tonight's support act was the German legend UDO Dirkshneider who back in 1983 hot on the heels of the NWOBHM boom saw his band Accept release their 4th album, the magnificent Balls To The Wall. I remember as a fresh faced 15 year who had gotten into metal via Maiden, Saxon, Priest and the Scorpions I was given a tape to listen to, the minute that riff of Balls to the Wall hit I was hooked, it was hard heavy and loud. So tonight's double treat was Dirkschneider and his band also playing the Balls To The Wall album in full. His band includes former Accept band mate Peter Baltes and his son Sven Dirkschneider on drums. If anyone has any doubt whether old school heavy metal still has a place in the musical world then look no further than a sold out 02 Academy, 2550 rockers of all ages are packed in, some of them would be mere twinkles in their fathers eyes when WOS was released but they are here tonight, teenagers alongside 60 odd year old men, all joined by the love of metal. As the lights dim that iconic riff from Balls To The Wall kicks and the its clear a good percentage of those in attendance are fully aware of this album. UDO takes the stage complete with the white gloves he wore on the original Balls To The Wall tour and his trademark camo jacket. Its hard to imagine that the combined age of both of tonight front men is 147 years, UDO is 73 and Biff is 74, that matters not a jot as neither have lost their voice in the slightest. UDO growls his way through the iconic hits from the album, London Leatherboys, Head Over Heals, Love Child, Losers and Winners and finishing with the slower Winterdreams. An encore is inevitable and we get the German folk music intro to Fast As A Shark, Its a properly heavy tune and the crowd sing along loudly before the Germans take their leave with the gigantic inflatable Dirkschneider balls still bouncing around the arena. A short change and the lights dim and Saxons into kicks in, The large curtain drops and we are off into the title track from the latest album Hell, Fire and Damnation. Power and the Glory and Sacrifice complete the opening salvo. Brian Tatler has added a different dimension to the band and could celebrate being named the HRH Axeman of the year just a couple of days previous. Along with Doug Scarrett the complete that twin guitar attack Saxon are known for. As ever Nibbs Carter and Nigel Glockler complete the rhythm section. Backs to the Wall from the bands debut album is followed by Never Surrender, Madame Guillotine, Heavy Metal Thunder and no Saxon show would be complete without Dallas 1pm. That signaled the start of the Wheels of Steel album in full. An album that was remembered by Biff as coming out when there was no mobile phones, no social media, no cd's, Only music magazines like Kerrang and Sounds and the radio, the band even had to hang around a telephone box to take calls from their manager, a simpler time and one could argue a better time. The audience are in full voice for the big hits mentioned before but also with other classic metal master Like Suzie Hold On and Stand Up and Be Counted. Its cannot be passed over the Biff Byford has had his own battle of late and undergone some intensive treatment but his voice is as strong as its ever been and he reaches every note with perfection. A true living legend of Heavy Metal. The encores are iconic Saxon, Denim and Leather might just be the most heavy metal song about heavy metal ever and The Bands Played On, A second encore see's a slight deviation from the set list as the band treat the Glasgow crowd to and extra song with Strong Arm Of The Law and finally we end with Princess Of The Dawn. Never let anyone tell you Heavy Metal or Rock music is dead as long as teenagers are headbanging alongside their dads to iconic bands they are truly Keeping Rock Alive!!

Only a few weeks ago, I’d never heard anything by Young Gun Silver Fox. But when I saw the duo were set to play Olby’s in Margate, I recognised their name from something I’d read in Classic Rock Magazine several months ago; an article which heralded the pair as revivalists of the 70s West-coast sound that is so appealing to my ears. With that in mind, I purchased a ticket and started doing my homework, working through a catalogue of albums that proved to be something of a goldmine. I figured Yacht Rock would be a fairly niche proposition for the people of Margate in 2025, so I’m surprised to find the venue buzzing with life. A modest space with a capacity of just 340, Olby’s is already filling up nicely as a DJ blasts a selection of classics from the likes of Steely Dan, Toto and Christopher Cross, all of whom can be heard in tonight’s headline act. There’s less of a distinguishable demographic than I’m used to, but quite a few more Hawaiian shirts! I feel disappointed for support act Smith & Liddle, who are largely drowned out by the noisy chatter of people accumulating around the bar. It’s a shame, as their gentle, breezy pop is quite beautiful, centred around the lovely harmonies of the pair. There is something infinitely pleasing about the blend of a male and female voice, exhibited best here during ‘Eyes on You’, a song that envelops you in wistful dreaminess. Though their name is a bit of a mouthful, it falls into place when you learn that Young Gun Silver Fox is composed of British singer-songwriter Andy Platts (the 40-something ‘Young Gun’) and American multi-instrumentalist Shawn Lee (an unmistakeable ‘Silver Fox’ with his flowing white locks). Augmented this evening by the formidably funky rhythm section of bassist Paul Housden and drummer Adrian Meehan, the group bring the sunshine to a dark November night with a repertoire unashamedly indebted to the 70s and an image to match (just check out those snazzy shirts and the cactus that adorns the stage!). Opener ‘Winners’ demonstrates the exquisite vocal harmonies and smooth, laid-back vibes that these men have perfected. The gently grooving ‘Kids’ follows, and it’s impossible not to move to the lilting bass. In fact, I’ve seldom seen an audience so engaged; as I glance behind me during ‘Rolling Back’, it seems that everyone is dancing, singing and smiling. No surprise really, given that it’s one of the most infectious songs I’ve heard in a long time, with a chorus that is destined to remain lodged in my brain for several days. Though all of the men on stage can really sing, it’s obvious why Platts takes the lead. Stationed behind his keyboards, there’s no hiding an incredible voice that is both warm and melodic but also full of power. His soulful delivery of ‘Love Guarantee’ is a showstopper, and contrasts brilliantly with his falsetto that dominates the uplifting ‘Born to Dream’. But arguably, the most affecting moments are when the harmonies kick in, Lee and Housden elevating the performance to somewhere quite magical. Lee radiates a sense of joy, and shares a noticeable chemistry with Platts. It’s an evening of many special moments, one of the best when the duo convene centre stage, sitting side by side for a stripped back version of early single ‘You Can Feel It’, accompanied only by their acoustic guitars. Platts engages in an enthusiastic call and response with the audience, his perfect vocalisations possibly somewhat ruined as we do our best to sing them back at him! Somehow melding a little of so many bands that I love, there’s some Crosby, Stills and Nash about the mystical ‘Mojo Rising’ that I’m desperate to hear again the moment it’s over. But it’s Steely Dan that I can hear in the quirky ‘Underdog’, a jazzier excursion celebrating the downtrodden. Impressive musicians who make it look very easy, and are possibly overlooked as a result, they allow themselves opportunities to stretch out on ‘Tip of the Flame’ and ‘Kingston Boogie’. As Young Gun Silver Fox put it so eloquently in the gloriously funky ‘Stevie and Sly’ - ‘take me back to 1975, it’s where I wanna go, when everything was gold’. They’ve got a point. But with music like this, there’s no need for a time machine. It’s difficult to do justice to a gig that for me, is one of the best I’ve had the privilege to witness. Just go and see this band, you can thank me later. SETLIST Winners/Kids/Rolling Back/Burning Daylight/Late Night Last Train/Love Guarantee/Born to Dream/Just for Pleasure/The Greatest Loser/You Can Feel It/Baby Girl/Mojo Rising/Simple Imagination/Underdog/Lenny/Stevie & Sly/Tip of the Flame/Long Way Back/Kingston Boogie

Welcoming Pendulum back to Edinburgh after a 15 year hiatus and playing the same venue from way back when, the Corn Exchange was alive with that electricity that only electronic rock with some drum and bass thrown in for good measure can provide. The set opens with a fiery start leaving the crowd bouncing along to "Napalm", a track coming straight out of the bands new album released August 22nd this year. Straight after, we're thrown into "Save the Cat", again from the new album and a personal favourite. The lads from Australia are sounding mighty and they lead us right into the classic "Propane Nightmares" from 2008. The crowd erupts! The 16 song set truly soars from then on, giving the good people of Edinburgh the punchy riffs and the pounding bass the band are so known for, with tracks from albums such as In silico and Immersion, there is truly a little something for everyone regardless of how long you've been following the bands progression. Pendulum seems to be one of those bands, whose appeal truly ranges from those in their teens to music lovers in their 60's and 70's as evident from the crowd here in Edinburgh! The set closes with the almighty "Watercolour", again, just waves of energy emanating from the band and infectiously into the crowd, we've seen a good few circle pits tonight, with lead vocalist Rob Swire proclaiming, "Holy shit, it's hot as fuck". We are then taken straight back to 2005, with the bands encore track, Tarantula. And what an encore it is, I don't think my feet touched the floor once. Overall, a fantastic night of dancing, good vibes and an amazing start to Pendulum's Inertia UK tour leg. Long may it continue that bands of this ilk visit the capital.